RESUME OF ARTIST LYNN MARSHALL-LINNEMEIER
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RESUME OF ARTIST LYNN MARSHALL-LINNEMEIER
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EDUCATION/ACHIEVEMENTS/COMMISSIONS
EDUCATION
The Atlanta College of Art
BFA, Photography (Presidential Scholar)
ACHIEVEMENTS
1989 Lyndhurst Foundation Young Career Prize
The Lyndhurst Foundation, Chattanooga, TN
1993 The Southern Arts Foundation/National Endowment for the Arts, Regional Fellowship in Photography
1995 Georgia Council for the Arts Individual Artist Grant
FELLOWSHIPS
2003, Artist-in-Residence, Delaware Center for Contemporary Art, June/July, Wilmington, Delaware
2002, Atlanta Partnership for Arts and Learning, Renfroe Elementary School; Reynoldstown Revitalization Corporation, The National Black Arts Festival, The National Endowment for the Arts, Entrepreneurial Program
2001 Artist-in-Residence, The Hambidge Center, Rabun Gap, Georgia
2000 Artist-in-Residence, Reynoldstown Community, Atlanta, Georgia; Sponsored by the Reynoldstown Revitalization Corporation and
The National Black Arts Festival, Atlanta, Georgia,
“Collective Action-Artists as Agents of Change” a collaboration with artist Bongi Bengu of South Africa
1999 Artist-in-Residence, Caversham Press, Balgowan, South Africa, W.K. Kellogg Foundation African Program Initiative, Fulton County Arts Council, Artists-in-Residence International
1997 Artist-in-Residence, The University of Newcastle-Upon-Tyne, Newcastle-Upon-Tyne, England, awarded by Artist-In-Residence International
1994 Artist-in-Residence, Tandanya National Aboriginal Cultural Center, Adelaide, South Australia, awarded by Lila Wallace-Reader’s Digest/Arts International, New York
COMMISSIONS
1991 The City of Atlanta, Georgia; Mural for Adams Park Bathhouse
1996 Hartsfield International Airport, Atlanta, Georgia, Permanent Mixed Media Installation, “A Guide to Juke”, I996 International Olympics
1997 Seagrams Gin “Perspectives in African-American Art”.
“A Place Where Liberty Dwells”- The Founding of Mound Bayou, MS
2000 Hammonds House Galleries, Limited edition lithographic print “I was just beside myself but then moved on”, Edition of 300 hand pulled lithographs completed at Rolling Stone Press, Atlanta, GA
2002 The County of Fulton, Georgia, Southeast Atlanta Neighborhood Senior Citizens Center, Atlanta, Georgia; 5 mural sized paintings for senior citizens center
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EXHIBITIONS
SOLO EXHIBITIONS
2001 Clark Atlanta University Galleries, Atlanta, Georgia, “A Slave Speaks of Silence”, January 2001
Sandler-Hudson Gallery, Atlanta, Georgia “Recurrences and Incantations”, April, 2001
1998 Fay Gold Gallery, Atlanta, Georgia, “Miss Lucy’s Purse”, January 1998
James Madison University, Harrisonburg, VA, “Moving Pictures”, December/January 1999
1997 Manchester Craftsmen’s Guild, Pittsburgh, Pennsylvania
1996 The University of Newcastle-Upon-Tyne, Newcastle-Upon-Tyne, England “Art from Atlanta-Lynn Marshall-Linnemeier”,
1995 Georgia Museum of Art at the University of Georgia, Athens, Georgia “Other Roots: Down Under-Same Side” and “On The Peak of Time
1995 YMI Cultural Center, Asheville, North Carolina “On the Peak of Time”,
1994 Tandanya National Aboriginal Cultural Center, Adelaide, South Australia, “Borders of Faith”
1993 Houston Center for Photography, Houston, TX, “The Annotated Topsy”
1992 Hughley Gallery & Objects, Atlanta, Georgia, “Borders of Faith”
SELECTED GROUP EXHIBITIONS
2002 “A Slaves Speaks of Silence”/”Silence Speaks”: Lynn Marshall-Linnemeier with Sistagraphy, a collective of African American Women Photographers, The Contemporary, Atlanta, Georgia
“Strange Fruit”, Eyedrum Gallery, Atlanta, Georgia
“One Nite Stand, Intoxicating”, Acme Lofts, Atlanta, Georgia
(2001/2002) Reflections in Black – A History of Black Photographers 1840 to the Present, Smithsonian Anacostia Museum and Center for African American History and Culture (Traveling Exhibition)
2000 “Our New Day Begun – African-American Artists Entering the New Millennium”, Lyndon Baines Johnson Library and Museum, Austin, TX, Traveling Exhibition – February 2000- February 2001
“The Hourglass Project”, Lowe Gallery, Atlanta, Georgia
1997 “Can You Play change”, The Atlanta Arts Festival, Atlanta, Georgia, Interactive Computer Generated Multimedia Installation, with Steve Guynup and Mildred Thompson
Track 16 Gallery, Santa Monica, California, “When what to my wondering eyes…”, Group Exhibition
University of Wyoming Art Museum, Laramie, WY, Boise Art Museum, Boise, ID; James A Michener Museum of Art, Doylestown, PA; DeCordova Museum and Sculpture Park, Lincoln, MA, Yellowstone Art Center, Billings, MT, February 8, 1997 – September, 1998
1996 “Picturing the South: 1860 to the Present” (June 15-September 14), The High Museum of Folk Art and Photography Galleries
Word Image – Book Works, National Conference of Artists Gallery, Detroit, Michigan, March – April 13
The Light Factory, Charlotte, North Carolina, “Close to Heart”, February 3-March 20
1995 “Art in Atlanta”, Atlanta, Georgia, Magdeburg, Munich, Berlin, Frankfurt, Hamburg, Cologne, Germany; Newcastle-Upon-Tyne, England
1994 National African-American Museum Project, Smithsonian Institution, Washington, DC; “Imagining Families, Images and Voices”
City Gallery of Contemporary Art, Raleigh, North Carolina; Arlington Museum of Art, Arlington, Texas; Cheekwood Museum of Art, Nashville, Tennessee (1995), Nexus Contemporary Arts Center, Atlanta, Georgia (1995); “Northern Telecom New Works Fellowship”, Traveling Group Exhibition
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BIBLIOGRAPHY
BIBLIOGRAPHY
A Women’s Vision-A Dialogue for the New Millennium, W.K. Kellogg Foundation, Africa Programs, The Fulton County Arts Council, Atlanta, Georgia, Limited Edition Artists’ Book, 50 numbered copies, hand bound, The Caversham Press, Balgowan South Africa, 1999
Bowles, Juliette, The International Review of African American Art, Vol. 14, No. 2, Page 59, Hampton University Museum, 1997
Burnham, Philip, “Paradoxical Plantation”, American Legacy, spring, 1998, Vol. 4, Number 1, Page 42, 1998
Cullum, Jerry, “Starting Out From Atlanta, Three Artists Imagine History”, The International Review of African American Art, Vol. 18, Number 3, Page 43, Hampton University Museum, 2002
Dugan, Ellen, Picturing the South: 1860 to the Present, Chronicle Books, The High Museum of Art, Atlanta, Georgia, 1996
Finney, Nikkey, The World is Round, Innerlight Publishing, Atlanta, Georgia, 2002, (Book Cover)
Georgia Museum of Art, Other Roots: Painted Photographs by Lynn Marshall-Linnemeier, 1995
Jinkner-Lloyd, Amy, “Atlanta, Lynn Marshall-Linnemeier at Hughley”, Art in America, July 1992
Krane, Susan and Pryzbilla, Carrie, Southern Expressions: Tales Untold, Atlanta, Georgia, The High Museum of Art, 1991
Marshall-Linnemeier, Lynn, Pavich-Lindsay, Melanie and Tuttle, Lisa, Look Back, Nexus Press, Atlanta, Georgia, 2002
McNamara, Mary, “have yourself a very retro Christmas”, Los Angeles Times Magazine, Page 23, December 21, 1997
Meredith, George, When what to my wondering eyes…,, Track 16 Gallery, Smart Art Press, Santa Monica, CA, 1997
Reynoldstown Revitalization Corporation, A Rendezvous With Time, Illuminated Photographs by Lynn Marshall-Linnemeier, 1995
Willis, Deborah, Imagining Families: Images and Voices, Smithsonian Institution, Washington, DC, 1994
Willis, Deborah, Reflections in Black, A History of Black Photographers 1840 to the Present, W.W. Norton & Company, New York, London, 2000
Willis, Deborah and Carla Williams, The Black Female Body: A Photographic History, Temple University Press, Philadelphia, PA, 2002
Wardlaw, Alvia; Royse, Lisa; Dierks, Chars, Our New Day Begun-African American Artists Entering the New Millennium”, Lyndon Baines Johnson Foundation, Austin, TX 2000
COLLECTIONS
Arthur Anderson and Company
The Federal Reserve Bank, Atlanta
The High Museum of Art, Atlanta
Hammonds House Galleries, Atlanta
Museum of Contemporary Art Georgia
Point Pearce Aboriginal Mission, South Australia
Numerous Private Collections
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