On Being Five


I''m home from school.
Wait! Listen first at the door.
She's not in the kitchen
she's on the top floor!

In a bedroom shared
by three little girls,
she's bent over a bureau,
I see her grey curls.

Act I begins now
I have the first line,
"Please, what are you doing?
Those things are all mine!"

This is her cue
to glance up and say,
"You're going to the orphanage
get out of my way!"

I know all my lines -
play it timid, not strong
"But what have I done today?
What have I done wrong?"

"You know goddam well,
you fucking little whore!
And stop that sniveling
or you'll get something to really cry for!"

The drama continues.
The paper bag fills
with my few poor possessions
and all of her ills.

It's time to start begging,
the part I abhor!
"Please, Mommy, please!"
As I edge toward the door.

She turns and she glares
with pure hate in her eyes.
It's a look that I wish
She could just once disguise.

She's up and she's turning,
this Queen wasp in her hive;
I take two steps backward
the tableau comes alive.

I run for the stairs
but my hair is too long
she reaches and grabs it!
Her hands are so strong!

I'm turned and I'm dragged -
I don't utter a peep.
We've done this before,
and those stairs are so steep.

I cry out as my head
hits every stair;
when we reach the bottom
I'm not unaware

of what is to come now
(I know my part well)
I lie on my back -
watch her fury swell.

On top of the fridge
is my dead grandfather's strop.
It's now in her hands
and I know she won't stop.

The leather's not good enough.
She turns it around.
Down comes the metal ring -
I can tell by the sound.

She beats me all over,
my arms cover my face.
She swings it faster and faster
as though it were a race.

I can't hold back longer -
I scream and I cry!
I can't catch my breath,
I can't even try.

She's exhausted herself now
the strop's thrown to one side.
I crawl to a corner.
I just want to hide.

Act II begins now,
my father comes home.
I yell, "Daddy please help me!
Make her leave me alone!"

He looks at my mother
then looks at me.
He sits at the table.
She pours his coffee.

After several more minutes
she look round the room.
She acts kind of different -
less fury, more gloom.

"Take deep breaths" she tells me -
"Just try to relax."
She reaches to touch me,
her hands feel like wax.

She lifts me up easily,
I'm only five, after all.
and carries me to the rocking chair
Set next to the wall.

She rocks me and sings
the three-song medley
that she always uses
to hush a crying baby.

She tells me she loves me
and it sounds almost true.
but why can't she love me
the way most mothers do?

I'm almost done crying.
Her duty's complete.
"Now go clean up your bedroom,
then come down to eat.

The welts and the bruises
will be hidden from view.
Not that anyone'd care
If anyone knew.

A child is crying.
Quick! Run to see!
Oh, don't bother
It's only me.



Marty Hanson-Roscoe, a life-long New Englander, attended local public schools and aspired to be a writer. Her first poetry was written in the fifth grade. Since that time she has written to her drawer. After years of a tragic, yet comedic life, Marty decided to write about some of her experiences, hence, “On Being Five.” She is working on a novel and lives on the Rhode Island coast with her husband.



Copyright 2003, Marty Hanson-Roscoe. This work is protected under the U.S. copyright laws. It may not be reproduced, reprinted, reused, or altered without the expressed written permission of the author.