At Hand


The thin sound of chatter a cold chisel
makes on a cold day is full of hurt.
Hands, grizzled veterans at touch, recall
the calligraphy of such signatures,
labor shrugging itself in muscle’s memory,
old toil wanting to be known again
though it sits mute in matched boards
waiting to become a table, a door,
a wall to hang your heart on.
A job finished, half done, yet to start,
always jars your eyes with what’s done
or what hasn’t been done; songs
of sweat call as crude as crows
across the finest layer of silk,
fluff, sateen, silence and the softest ear.
The task that was too long to the end
becomes a measuring stick, a self gage,
and yet the one done at callus.

The Municipal Subterranean

Goggled, menacing, evidently mucked about
and snarled at earth gear, a man rises
out of a manhole on the main street
of my peaceful town, so much an old Saharan
veteran, Rommel-pointing his tank across
the four-year stretch of memorable sands.
Though long gone to his grass roots,
second row, Veterans’ Section, Riverside,
I think of Frank Parkinson, tanker, Tiger
of Tobruk, acetylene smile bright-burnt
on an oil-dirty face; the old goggles,
all aflame, still set high on his high
forehead, daring to remember Egypt’s
two dark eyes, and Panzers off the dunes.

Absolution

(for Hugh Menzies)

You think I don’t remember you.
Your nose was red, ears outsized,
you moved lanky in your lanky way,
you had blue eyes, your cheeks red.
In front of the State Theater on Sat-
urday matinees you towered over us.
But I do remember you, Hughie.I do!
Your hair was tall in front, dark;
your arms were long, your nose English
like mine’s Irish but mostly for word music.
You wore dark blue denim dungarees.
Once a blue jacket with red sleeves.
You didn’t skate with us, but I remember
your picking leaves, watching the sun
fall all the way through the filaments.
I saw you Saturdays, later on, watching
us play football at the stadium. Then,
how Time plays tricks on all of us,
we were halfway across the world in Asia,
carrying carbines and M-1s in the Land
of the Morning Calm. Asia’s sun set on you
Hughie, but I walked out of the same hole.
Each morning now, on my way to work,
old shells echo, the infiltrator eyes me,
cursed land mine sits like a maimed turtle
in my path, dark clouds grow darker,
dread rain becomes a yellow madness,
deep earth opens its other arms,
and your name flies its black letters
on a gray cast iron sign in East Saugus.
Once, when I was late for work, snow
on the hillside, I saw the flowers on the pole.
I keep wondering for you, Hughie,
Who put out the flowers in January?
Is there a friend with a long memory?
A girl who dreams? Did you visit?



Tom Sheehan has published two novels and a third will appear in 2003, Death for the Phantom Receiver, as well as three books of poetry with a fourth, This Rare Earth & Other Flights from Litpot Press, coming out this year. He has more than 500 Internet and print appearances of stories, memoirs and poems, a Silver Rose Award for short story excellence by American Renaissance for the Twenty-first Century (ART), three Pushcart nominations, and won Eastoftheweb's 2002 nonfiction competition. He is co-editor of the sold-out 2500-copy edition of A Gathering of Memories, Saugus 1900-2000. He has been the Featured Writer/Poet on Tryst, Spotlight Poet on Eclectica, and has multiple appearances on Literary Potpourri, Paumanock Review, Stirring, Samsara, Three Candles, Snowbound, Fiction Warehouse, 3amMagazine, Comrades, Splitshot, Small Spiral Notebook, Megaera, Poor Mojo, Kudzu Monthly, Aileron, Electric Acorn, and SNReview, among others.



Copyright 2003, TomSheehan. This work is protected under the U.S. copyright laws. It may not be reproduced, reprinted, reused, or altered without the expressed written permission of the author.