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At
Hand
The thin sound of chatter a cold chisel makes on a cold
day is full of hurt. Hands, grizzled veterans at touch,
recall the calligraphy of such signatures, labor shrugging
itself in muscle’s memory, old toil wanting to be known
again though it sits mute in matched boards waiting to
become a table, a door, a wall to hang your heart on. A
job finished, half done, yet to start, always jars your eyes
with what’s done or what hasn’t been done;
songs of sweat call as crude as crows across the finest
layer of silk, fluff, sateen, silence and the softest
ear. The task that was too long to the end becomes a
measuring stick, a self gage, and yet the one done at
callus.
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The Municipal
Subterranean
Goggled, menacing,
evidently mucked about and snarled at earth gear, a man
rises out of a manhole on the main street of my peaceful
town, so much an old Saharan veteran, Rommel-pointing his
tank across the four-year stretch of memorable sands. Though
long gone to his grass roots, second row, Veterans’
Section, Riverside, I think of Frank Parkinson, tanker,
Tiger of Tobruk, acetylene smile bright-burnt on an
oil-dirty face; the old goggles, all aflame, still set high
on his high forehead, daring to remember Egypt’s two
dark eyes, and Panzers off the dunes.
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Absolution
(for Hugh Menzies)
You think I don’t
remember you. Your nose was red, ears outsized, you moved
lanky in your lanky way, you had blue eyes, your cheeks
red. In front of the State Theater on Sat- urday matinees
you towered over us. But I do remember you, Hughie.I do! Your
hair was tall in front, dark; your arms were long, your nose
English like mine’s Irish but mostly for word
music. You wore dark blue denim dungarees. Once a blue
jacket with red sleeves. You didn’t skate with us, but
I remember your picking leaves, watching the sun fall all
the way through the filaments. I saw you Saturdays, later on,
watching us play football at the stadium. Then, how Time
plays tricks on all of us, we were halfway across the world
in Asia, carrying carbines and M-1s in the Land of the
Morning Calm. Asia’s sun set on you Hughie, but I
walked out of the same hole. Each morning now, on my way to
work, old shells echo, the infiltrator eyes me, cursed
land mine sits like a maimed turtle in my path, dark clouds
grow darker, dread rain becomes a yellow madness, deep
earth opens its other arms, and your name flies its black
letters on a gray cast iron sign in East Saugus. Once,
when I was late for work, snow on the hillside, I saw the
flowers on the pole. I keep wondering for you, Hughie, Who
put out the flowers in January? Is there a friend with a long
memory? A girl who dreams? Did you visit?
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Tom Sheehan has
published two novels and a third will appear in 2003, Death
for the Phantom Receiver, as well as three books of poetry
with a fourth, This Rare Earth & Other Flights from
Litpot Press, coming out this year. He has more than 500
Internet and print appearances of stories, memoirs and poems, a
Silver Rose Award for short story excellence by American
Renaissance for the Twenty-first Century (ART), three Pushcart
nominations, and won Eastoftheweb's 2002 nonfiction competition.
He is co-editor of the sold-out 2500-copy edition of A
Gathering of Memories, Saugus 1900-2000. He has been
the Featured Writer/Poet on Tryst, Spotlight Poet on
Eclectica, and has multiple appearances on Literary
Potpourri, Paumanock Review, Stirring, Samsara, Three Candles,
Snowbound, Fiction Warehouse, 3amMagazine, Comrades, Splitshot,
Small Spiral Notebook, Megaera, Poor Mojo, Kudzu Monthly,
Aileron, Electric Acorn, and SNReview, among others.
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Copyright
2003, TomSheehan. This work is protected under the U.S.
copyright laws. It may not be reproduced, reprinted, reused, or
altered without the expressed written permission of the author.
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